PIVOT ANIMATOR YOUTUBE SOFTWARE

As a VFX artist, how helpful do you find that technology in adding to an audienceвЂ™s level of immersion? LBB> I remember that Avatar's release also coincided with the launch of 3D in cinemas. I feel like thatвЂ™s a very pure encapsulation of the potential of VFX.ДЄbove: James CameronвЂ™s Avatar influenced a young Spencer Griswold by bringing to life a вЂliving, breathing worldвЂ™ through VFX technology.

That blew my mind when it came out because it really gave this sense of a living, breathing world which felt fantastic and yet tangible at the same time. I remember one of the films that really inspired me when I was younger was James CameronвЂ™s Avatar.

I really push myself to straddle as much of the spectrum as possible.

I really like to see myself bridging the two extremes, or as someone who can bring an understanding of technical competence to a beautiful or creatively ambitious piece of work. It ranges from people who are coming at it from a technical or scientific perspective, to those who would think of themselves more as an artist - or even as a digital painter. ThatвЂ™s why I think thereвЂ™s a really wide spectrum of people in the VFX and graphics community. Because if something doesnвЂ™t have an aesthetic appeal then it isnвЂ™t going to work, regardless of how technically impressive it might be. LBB> So VFX is an art and a science at the same time? So, yes, a scientific approach to VFX is certainly advantageous. ItвЂ™s not just the technical side that you need to be able to pull off, itвЂ™s also about physics and audience psychology. In that sense, great VFX is a lot like a magic trick. That applies to working with lights, shadows, momentum, or anything that plays with the rules of a world the audience sees on-screen. Particularly when it comes to working on invisible VFX, you have to understand the way a world works on a very visceral and scientific level before you can start manipulating it as an artist. LBB> ItвЂ™s interesting that you initially saw yourself as a scientist - do you see VFX as a science? So IвЂ™ve always been interested in this industry through the prism of effects, and thatвЂ™s consistently been what inspired me because itвЂ™s an area where you feel as though you can truly make anything happen.

PIVOT ANIMATOR YOUTUBE SOFTWARE

IвЂ™ve been really engaged learning new and complex software packages ever since! So while it felt like quite a revolutionary pivot for me at the time, I started making my own films, taught myself After Effects in about a day, and it all felt so natural. One of the Youtubers I followed mentioned that heвЂ™d been to film school and from that moment onwards I knew what I wanted to do.Д«efore that, I thought I was looking to become a marine biologist. Visual effects were becoming kind of trendy on YouTube, and I was always at least part way down a YouTube rabbit hole on the subject. Spencer> It was really early on, when I was about 15 years old. How did you first know that a career in this industry would be the right one for you? To pick back over his career so far and break down the science and artistry behind jaw-dropping VFX, LBB sat down with SpencerвЂ¦ As the VFX artist tells LBB, heвЂ™s at his happiest when a client approaches with a seemingly impossible task - and, in this industry, the next one is always waiting just around the corner. The result - so far - has been a career which began at NYU Tisch and has since included projects for some of the biggest clients one could imagine.Д®xcitingly, Spencer isnвЂ™t content to stop there. ThatвЂ™s precisely what Other NYCвЂ™s Spencer Griswold does, taking skills acquired from a childhood love of biology and the natural world, and applying them in the artistic realm of visual effects. ItвЂ™s helpful, then, when a VFX artist can blend together a passion and appreciation for both fields. When does an art become a science? In the highly-digitised and endlessly aesthetic world of visual effects, itвЂ™s an open question.

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